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View fullsize Today is the first day of the very first promotion for American Gothic Zinfandel in Waitrose! #artofwine #americangothic #grantwood
View fullsize We’re excited to announce we have been selected as a contender in the Wine category in WSWA’s Brand Battle Tournament! We can’t wait to share our brand with the world! Join us as we compete on Thursday, February 23 for a spot in the
View fullsize Now available in Waitrose! Our new American Gothic Zinfandel! #waitrose #artofwine #americangothic #grantwood
View fullsize Very pleased to see The Great Wave box in the Times's roundup of some of the best boxed wine in the market. 5 stars!🥳 #artofwine
View fullsize A new wine is hitting shelves this autumn - American Gothic Cabernet Sauvignon from the Art of Wine #artofwine #grantwood #cabernetsauvignon #americangothic
View fullsize NEW WINE! A new addition to the Art of Wine range. Glorious Cabernet Sauvignon from Lodi in Northern California celebrating the icon that is "American Gothic".
View fullsize Come and find us at ProWein! We are exhibiting in Hall 12 on stand D71.
View fullsize A new addition to the Art of Wine! 2.25ltr bag in box format Great Wave Sauvignon Blanc now available in Waitrose! #waitrose #artofwine
View fullsize I must pay my respects to my distant ancestor William Richard Lethaby, whose birthday it would have been today (18th Jan 1857 – 17th July 1931). Lethaby, the art educator, founded Saint Martin’s School of Art and Design, and wo
View fullsize Hans Makart, a leading Viennese painter in the 1870s, despite lacking talent as a draughtsman, was famous as a 'magician of colours'. Passionate with swirling and enveloping colour schemes, he was known as Interior Designer, Costume Designer, Fu
View fullsize Gauguin's use of vibrant colours, clear outlines, rough and bold, focussing on the form of objects rather than light, is 'Impressionism' moving a little into 'Expressionism'; 'impressionism' leaning towards towards 'Primitivism'.    Van G
View fullsize Workmen re-tile a roof. They don’t even realise that the man-made lines of the gable they repair reflect the angles of the mountain. But the inflexible linear geometry of the woodwork can never be as elegant as the slope of this sacred mountain
View fullsize Thirty Six Views of Mount Fuji (including The Great Wave), frame from every angle, the venerated mountain, the focus of cults in Buddhist and Shinto faiths. Here, the foreground is cluttered with ordinary people living in Edo, who pause in languid po
View fullsize Wool, Jersey and silk, A line dresses. Pre -dyed fabrics rather than printed – each colour an individual piece of fabric. Heavy fabrics ensured the design hung straight, without distortion. Saint Laurent acknowledged that Mondrian inspired him
View fullsize Fabric: Klimpt envelops his characters in fabric and loads it up with allegorical meaning. From a distance this is Haute Couture; exclusive construction; hand executed techniques; high needlework; tailored design; unlimited budget; huge heavy materia
View fullsize Think Venice, 16th century. Titian - its greatest artist, trained in the workshops of Bellini and Giorgione, painter of the elite. This man in this beautiful portrait is remembered for the sumptuous silk suit he attired, because however arrestin
View fullsize Composition, Piet Mondrian, 1929, Oil on canvas, 45 x 45 cm, Solomon R Guggenheim Museum, New York, USA Mondrian said he wanted to create a discipline whose laws would reflect the order of the universe. An important rule he imposed upon this se
View fullsize Composition A, Piet Mondrian, 1923, Oil on Canvas, Galleria Nazionale A'rte Moderna e Contemporanea, Rome, Italy Mondrian wanted us to connect his images with our every day lives and struggles and use them to solve problems. Here, jostling
View fullsize Composition No.10, Piet Mondrian, 1942, Oil on Canvas, Private Collection, 79.5 x 73 cm As though battling with a never ending Rubix Cube, Mondrian tirelessly arranged and rearranged abstract lines, in search for Universal Truth. He worked unti
View fullsize Katsushika Hokusai, Old Fisherman Smoking his Pipe, c. 1835, woodcut, 18.4 cm x 21.5 cm, Burrell Collection, Glasgow, UK A humble and reflective self-portrait; painting himself as a fisherman, towards the end of his life, Hokusai wrote: "If onl